Write an analysis of goodbye to all that by Robert graves. ill put a model analysis in the drobox.

NG_ELA9-10_W_02_Model_Analysis

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Write an analysis of goodbye to all that by Robert graves. ill put a model analysis in the drobox. 

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English | Model Analysis Essay | Strength and Humility in Jack London’s “To Build a Fire”

Model Analysis Essay
Strength and Humility in Jack London’s “To Build a Fire”
Jack London’s short story, “To Build a Fire,” takes place in the frozen expanse of
the Yukon. Written in the third-person omniscient point of view, the tale follows the
thoughts and actions of a man and his dog as they make their way through the
snow, ice, and bone-chilling cold of a harsh Yukon winter. At the end of the trail lies a
camp, work, and “a hot supper” with the boys already sitting by the fire (London 463).
When faced with the daunting journey before him, the man exudes toughness and
determination. It is as though he is telling the reader that this challenge is simply a
walk in the park. A classic adventure tale, the story’s linear plot moves forward rapidly,
the man’s actions taking him further and further into the wilderness. But, as the story
reveals, the man’s toughness comes with a great fault that, despite his strength, leads
to his eventual downfall.

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Begin annotation.
The first paragraph
states the

of the story. End

title, author, and
literary point of view

annotation.

The story begins with a man turning from the main trail and climbing into the pine
forest. The “day had broken cold and gray,” and despite the cold and the darkness,
the man is unafraid—even as he stares across an “unbroken white” landscape, he
is unmoved and simply goes about the tasks at hand (London 462). The protagonist
is a simple man; his actions are slow and deliberate; his mind rarely dwells on the
past, nor does it think ahead toward the future. “Fifty degrees below zero was to him
just precisely fifty degrees below zero. That there should be anything more to it than
that was a thought that never entered his head” (London 463). He is at home in the
wilderness, chuckling when his hands and face freeze, and yet, he is also woefully
unprepared for its potential dangers. London writes that “he carried nothing but the
lunch wrapped in the handkerchief” (463-64). The man moves through the landscape,
observes it, and reacts to it, but he lacks fear, respect, or humility. He reacts with
surprise at how quickly his fingers go numb, but does not waste time with worry or
preparations (London 467). He frequently reflects on the warnings from the man at
Sulphur Creek, who told him that traveling alone in temperatures below minus fifty was
dangerous. The man believes the old-timer to be weak and “rather womanish” (London
470). He presses onward, regardless of and unconcerned with the dangers, convinced
that his strength and tenacity will see him through.

Begin annotation.
The second
paragraph analyzes
the

End annotation.

setting and character.

Accompanying the man is a wolf dog. Granted access to the dog’s thoughts, we
learn that the dog “was depressed by the tremendous cold” and “had its instinct”
about the danger that the man is unaware of or unconcerned by (London 464). This
foreshadowing warns of the conflict and dangers ahead. The dog wonders why the
man has not built a fire, why the man continues to press on. The dog seems perplexed
by the man’s actions, wondering of the man if “all the generations of his ancestry had
been ignorant of cold, or real cold” (London 468). The dog knows that walking in this
weather is a death sentence and that it “was the time to lie snug in a hole in the snow”
until at last the terrible cold had passed (London 468).

Begin annotation.
The third paragraph
analyzes the

and his impact on
the story. End
annoatation.

secondary character

Page 1 of 3

English | Model Analysis Essay | Strength and Humility in Jack London’s “To Build a Fire”

The man’s situation quickly deteriorates. A series of missteps and mistakes, to which
the man had responded calmly and without worry, cascade, quickly becoming a life or
death situation. The man’s feet get wet; even he knows that he must light a fire—or
perish. His first fire is put out by falling snow. “It was as though he had just heard his
own sentence of death…Perhaps the old-timer on Sulphur Creek was right” (London
471). His hands frozen, he is forced to use his wrists, concentrating all the effort in his
being on striking a match. Even this effort leads to near disaster as his pack catches
on fire, destroying his remaining matches while leaving his flesh “burning” (London
473). The fire extinguished and unable to make another to warm his frozen limbs, he
attempts to kill his dog, hoping to warm his hands with the dog’s dead body. Unable to
use his hands, however, to even grasp the dog’s fur, “a certain fear of death, dull and
oppressive, came to him” and the man begins running down the trail—his final act of
desperation (London 475). His strength eventually fails him, and he collapses into the
snow, resigned to his fate, muttering his final words to the man at Sulphur Creek who
had warned him: “You were right, old hoss; you were right” (London 477).

Begin annotation.
The fourth
paragraph analyzes
the

End annotation.

plot and conflict.

London’s language is, like the man and the wilderness that defeats him, simple and
direct. There are no wasted adjectives or lavish descriptions. Still, the imagery is
compelling. The landscape’s harshness, its unforgiving nature, and its dangers are
revealed through simple statements and phrases, ensuring that readers experience
the deathly cold and the harsh environment of the Yukon. The tone, likewise, is
dispassionate and disconnected—even judgmental. The narrator expresses little
sympathy for the man and his fate. The man’s death, though tragic, is treated as
inevitable, directly caused by the man’s actions. There is little emotion wasted as the
man meets his end; even the man’s companion, the dog, accepts the man’s death
without emotion and continues onward toward camp.

Begin annotation.
The fifth paragraph
analyzes the

used by the author
and their impact on
the story. End

literary elements

annotation.

The strength, determination, and perseverance of the man wasn’t enough. In the
harsh environment of the Yukon, there was no room for mistakes. And the man’s
mistakes, while seemingly small, were rooted in his lack of respect for and humility
in the face of the Yukon, its dangers, and the journey before him. The man’s fate is
foreshadowed by the dog who is confused by the man’s actions, by his resistance to
building a fire, to moving forward. While the dog is connected to his animal nature and
instincts, the man has silenced his better judgement. Unable to sense the impending
danger, he forged on toward a fate that the dog had seen coming and that the old man
at Sulphur Creek had warned him about. In this moment, London reveals the theme of
his story: the man, while strong and determined, was ignorant about the wild; he was
disconnected from his animal instincts. His lack of humility and awareness eventually
lead to his downfall. The dog, however, is both strong and aware; connected to and
listening to its instincts, it not only survives, but thrives.

Begin annotation.
The conclusion
presents the

and connects these
themes to the
previous paragraphs.
End annotation.

themes

Page 2 of 3

Page 3 of 3

English | Model Analysis Essay | Strength and Humility in Jack London’s “To Build a Fire”

Works Cited
London , Jack. Jack London: Novels and Stories. New York: Literary Classics of the

United States, 1982. Print.

Begin annotation. If
anything is being
cited, it needs to be
in a list of

works cited, with
properly formatted
entries.

End annotation.

  • English | Model Analysis Essay | Strength and Humility in Jack London’TESTEnglish | Model Short Story | Reaching the Summits “To Build a Fire”
  • Model Analysis Essay
    Strength and Humility in Jack London’s “To Build a Fire”
    title, author, and literary point of view
    setting and character.
    secondary character
    plot and conflict.
    literary elements
    themes
    Works Cited
    works cited, with properly formatted entries.

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